108K views · 33 reactions | Apple created custom cameras to mount on the racecars, and they were operated by a special remote control designed by Panavision. Each car had 15 camera mounts, and could hold up to four cameras at a time. To keep the cars unencumbered by extra weight, the cameras were only 10 cm by 10 cm in size, a quarter of the size of the cameras used for Top Gun: Maverick (2022).  F1: The Movie (2025) | Best Of Movies | Facebook

With a global inventory of proprietary and partner gear, we help crews mix, match, and fine-tune every piece until the build feels just right. This setup keeps shooting in a studio in mind, pairing our workhorse Panaspeed lenses with the iconic Sony Venice camera, and is supported by Panavision’s modular accessories and a wide mix of partner gear like the transmitters and monitors from Creative Solutions. If you were building a setup for a sound stage, what would you add to (or swap out on) this

6.5K views · 61 reactions | @Marty Supreme is shot completely old-school, 35mm film, Panavision lenses, every frame designed like a postcard from 1952. You feel it on set… but when I finally saw the rough cut on a big screen, it blew me away. It’s one of the most beautifully filmed projects I’ve ever been part of and seeing my head that big in 35mm was surreal. | Kevin O'Leary | Facebook