At first blush, “Kelly Reichardt” and “heist movie” don’t feel like they belong in the same sentence, but The Mastermind illustrates how the filmmaker can use her minimalist aesthetic to expand the ...

Art thieves are so back. The opening cut of Kelly Reichardt’s newest film, “The Mastermind,” positions the viewer from the perspective of a painting that James “J.B.” Mooney (Josh O’Connor) stares at.

Mojang has dropped some huge news for Minecraft Java players - especially those that love to mod. While the modding scene is already thriving in Minecraft, it's not as accessible as you'd expect for ...

Ever since The Asphalt Jungle, John Huston's 1950 film about a jewel robbery, audiences and filmmakers have loved heist movies. You get the precise laying out of the plan, the robbery itself, the ...

Taylor Sheridan doesn’t like to be told what to do or how to do it. At his longtime home studio Paramount, the “Yellowstone” creator was given a long leash to make his shows the way he wanted. He was ...

The New York Film Festival guide called “The Mastermind” “an anti-thriller.” I can’t think of a better description for writer-director Kelly Reichardt’s latest; it’s a heist movie that has neither ...

The director Kelly Reichardt encourages stillness. Her style—long takes and low stakes, often punctuated by unhurried silences—forces viewers to slow down, to immerse themselves in the atmosphere ...

Barry Langford does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond ...

"The Mastermind” opens in some U.S. markets Oct. 17 but will officially open in Cincinnati theaters Oct. 24. This story has been updated with that clarification. Spoiler alert! This article contains ...

Kelly Reichardt’s watchful cinema is one of the indie world’s most exquisite bounties, a space for pioneers (“Meek’s Cutoff,” “First Cow”), artists (“Showing Up”) and wanderers (“Old Joy,” “Wendy and ...

The title of Kelly Reichardt’s latest film has a distinct irony for Josh O’Connor’s blundering museum thief. By Manohla Dargis When you purchase a ticket for an independently reviewed film through our ...