That first commission turned out to be a sculpture of Boris Karloff having his makeup applied for the iconic 1931 version of Frankenstein, and it would go on to be displayed in the director’s famous ...

Nicky Smith discusses her realistic approach, how she differentiated between characters, and what she wanted Tim Robinson's wardrobe to express.

Few culinary pleasures rival the satisfaction of slicing into a perfectly cooked steak: the aroma, the sear, and that tender ...